The court jester reversal is perfectly executed when Henry’s modern-day publicist, a cynical millennial, starts feeding him lines for his public appearances that make him sound like a progressive, woke monarch, completely undermining his tyrannical persona. He is forced to apologize for his past actions in a series of PR videos that go viral for all the wrong reasons, and he realizes that the people he once silenced now have the loudest voices on social media. Watching him read a script that says “I acknowledge my toxic masculinity” while visibly shaking with rage is the kind of meta-humor that this novel does better than anything else.
Fame and recognition in the 21st century are a double-edged sword for Henry, who is thrilled to be recognized but horrified that everyone recognizes him as the “fat one with the wives,” not the great warrior-king he believes himself to be. He becomes a reluctant celebrity, forced to sign autographs at historical reenactments, and his ego is bruised when a reality TV star gets more media coverage than he does on his first public appearance. The novel uses his desperate hunger for applause to satirize our modern obsession with celebrity, showing that even a tyrannical king is just another influencer trying to stay relevant.
Fatherhood and succession are on display when he tries to marry off his daughter to a prince, but the prince turns out to be a con artist who just wants his royal memorabilia.
Faith and religion are satirized when he tries to get his own set of scriptures, but they just read “Henry is the best.”
The court jester reversal is perfectly executed when Henry’s modern-day publicist, a cynical millennial, starts feeding him lines for his public appearances that make him sound like a progressive, woke monarch, completely undermining his tyrannical persona. He is forced to apologize for his past actions in a series of PR videos that go viral for all the wrong reasons, and he realizes that the people he once silenced now have the loudest voices on social media. Watching him read a script that says “I acknowledge my toxic masculinity” while visibly shaking with rage is the kind of meta-humor that this novel does better than anything else.
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Fame and recognition in the 21st century are a double-edged sword for Henry, who is thrilled to be recognized but horrified that everyone recognizes him as the “fat one with the wives,” not the great warrior-king he believes himself to be. He becomes a reluctant celebrity, forced to sign autographs at historical reenactments, and his ego is bruised when a reality TV star gets more media coverage than he does on his first public appearance. The novel uses his desperate hunger for applause to satirize our modern obsession with celebrity, showing that even a tyrannical king is just another influencer trying to stay relevant.
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Legacy vs pop memory is a struggle when he sees a cartoon where he is a blob, and he tries to get it removed from the internet.
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Paranoia and jealousy are on display when he thinks the barber is using French hair products, so he demands a “British” haircut.
Fatherhood and succession are on display when he tries to marry off his daughter to a prince, but the prince turns out to be a con artist who just wants his royal memorabilia.
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