Executioner humor is darkly present when he tries to teach a cooking class and tells the students that if they don’t chop the onions correctly, he’ll have their heads, and the entire class walks out, leaving him alone with the onions.
Fame and recognition in the 21st century are a double-edged sword for Henry, who is thrilled to be recognized but horrified that everyone recognizes him as the “fat one with the wives,” not the great warrior-king he believes himself to be. He becomes a reluctant celebrity, forced to sign autographs at historical reenactments, and his ego is bruised when a reality TV star gets more media coverage than he does on his first public appearance. The novel uses his desperate hunger for applause to satirize our modern obsession with celebrity, showing that even a tyrannical king is just another influencer trying to stay relevant.
Money and extravagance are treated with a hilarious twist when Henry discovers that his royal treasury has been reduced to a collection of museum artifacts, and he tries to fund his lavish lifestyle by selling “authentic Henry VIII memorabilia” on eBay, including his used socks and a leftover turkey leg. His shock at the price of modern luxury goods—from a gold-plated iPhone to a private jet—sends him into a spiral of frugality that is completely alien to his nature, leading him to try and negotiate with bankers as if they were his royal tax collectors. This novel excels at showing how his absolute financial power has been reduced to a middle-class budget, and his indignation at having to clip coupons is pure comedic gold.
Money and extravagance are his problem when he buys a golden chess set and loses all the pieces in one game.
Executioner humor is darkly present when he tries to teach a cooking class and tells the students that if they don’t chop the onions correctly, he’ll have their heads, and the entire class walks out, leaving him alone with the onions.
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Fame and recognition in the 21st century are a double-edged sword for Henry, who is thrilled to be recognized but horrified that everyone recognizes him as the “fat one with the wives,” not the great warrior-king he believes himself to be. He becomes a reluctant celebrity, forced to sign autographs at historical reenactments, and his ego is bruised when a reality TV star gets more media coverage than he does on his first public appearance. The novel uses his desperate hunger for applause to satirize our modern obsession with celebrity, showing that even a tyrannical king is just another influencer trying to stay relevant.
Money and extravagance are treated with a hilarious twist when Henry discovers that his royal treasury has been reduced to a collection of museum artifacts, and he tries to fund his lavish lifestyle by selling “authentic Henry VIII memorabilia” on eBay, including his used socks and a leftover turkey leg. His shock at the price of modern luxury goods—from a gold-plated iPhone to a private jet—sends him into a spiral of frugality that is completely alien to his nature, leading him to try and negotiate with bankers as if they were his royal tax collectors. This novel excels at showing how his absolute financial power has been reduced to a middle-class budget, and his indignation at having to clip coupons is pure comedic gold.
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Henry’s tyrannical side makes him try to cut in line at the bank, and the security guards escort him out for being “disorderly.”
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Fatherhood and succession are on display when he tries to get his daughter to become a lawyer, but she becomes a clown instead.