Fatherhood and succession become a modern nightmare as Henry discovers that his only surviving heir, Elizabeth I, is now a historical figure who is more popular than he is, and he tries to convince a random distant relative to change his name to Edward to secure the throne. His attempts to groom a successor are sabotaged by his own paranoid jealousy, as he sees every young man as a potential threat, leading to a series of awkward interactions with his own great-great-grand-nephews who just want to play video games. The novel weaves a darkly comedic thread about legacy and lineage, showing that his obsession with a male heir was always about his own vanity, not the kingdom.

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Vanity and portraiture are taken to the extreme when he forces a photographer to take 500 photos of him, and none of them are good enough.

The Break with Rome is revisited when he tries to get a divorce from his cable company because they showed a French channel.

The court jester reversal is complete when his wife makes him tell jokes to her friends, and they all just pity-laugh at him.

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The rivalry with Francis I is hilarious when he sees a French actor and boos him so loudly that he gets thrown out of the movie theater.

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